{"id":355,"date":"2021-06-11T02:31:40","date_gmt":"2021-06-11T02:31:40","guid":{"rendered":"https:\/\/www.claudiauranga.com\/?p=355"},"modified":"2024-02-20T14:53:42","modified_gmt":"2024-02-20T14:53:42","slug":"en-este-establecimiento-no-se-discrimina-1","status":"publish","type":"post","link":"https:\/\/www.claudiauranga.com\/en\/en-este-establecimiento-no-se-discrimina-1\/","title":{"rendered":"This establishment does not discriminate against... n\u00ba1"},"content":{"rendered":"

Installation that spreads in an area of the exhibition space, a set of real scale human body shaped pieces. Piece made in raw porcelain with the usage of molds taken from mannequins (female body and male body), broken into pieces of multiple sizes with all its parts arranged in a disorderly way on the floor, delivers a metaphor of the broken bodies, unable to decide what to do in their lives by the predetermined social conditions since before birth, reason why the porcelain is raw without even the first burn. Feets and hands are the most realistic parts of the whole set, so they are the main point of the piece, being their intention to emphasize that feets support the body and hands do the fine and detailed jobs in the economy of the working bodies, which, in addition, in many cases determine and reveal the work of each person, according to class, race and gender.<\/p>\n

This piece shares title with the sixth and last work made with denim, which together close the exhibition's narrative. This quote is, in fact, an excerpt from the signs that hang in stores and businesses to enunciate and let consumers and the general public know that as an establishment they \"do not discriminate\":<\/p>\n

\n

This establishment does not discriminate on the basis of race, religion, sexual orientation, physical or socioeconomic status, or on any other basis.<\/strong><\/h3>\n<\/blockquote>\n

\"\"\"\"<\/p>\n

Raw porcelain ceramic pieces installation<\/p>\n

2017 \u00a9 Claudia Uranga Alonso<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Instalaci\u00f3n basada en el esparcimiento, en un \u00e1rea del espacio expositivo, de un conjunto de extratos en porcelana cruda de cuerpo humano en escala real, realizadas a partir de moldes sacados a maniqu\u00edes (de cuerpo femenino y cuerpo masculino) quebrados en pedazos de m\u00faltiples tama\u00f1os, con todas sus partes dispuestas de forma desordenada por el … Read more<\/a><\/p>","protected":false},"author":1,"featured_media":362,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-355","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ahorita_no_gracias"],"_links":{"self":[{"href":"https:\/\/www.claudiauranga.com\/en\/wp-json\/wp\/v2\/posts\/355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.claudiauranga.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.claudiauranga.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.claudiauranga.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.claudiauranga.com\/en\/wp-json\/wp\/v2\/comments?post=355"}],"version-history":[{"count":9,"href":"https:\/\/www.claudiauranga.com\/en\/wp-json\/wp\/v2\/posts\/355\/revisions"}],"predecessor-version":[{"id":510,"href":"https:\/\/www.claudiauranga.com\/en\/wp-json\/wp\/v2\/posts\/355\/revisions\/510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.claudiauranga.com\/en\/wp-json\/wp\/v2\/media\/362"}],"wp:attachment":[{"href":"https:\/\/www.claudiauranga.com\/en\/wp-json\/wp\/v2\/media?parent=355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.claudiauranga.com\/en\/wp-json\/wp\/v2\/categories?post=355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.claudiauranga.com\/en\/wp-json\/wp\/v2\/tags?post=355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}